After the Fade
Everything Else Drifts Upward — On the Animated Short Film Saba
The World Is Dancing Reads Zeami Through the Body
After Arashi’s last concert, what remains and what does not
Why Gagaku Still Stands Without Fully Aligning
Are Games a Waste of Time? This Old Question Has Kept Finding New Targets
Rei Kawakubo's Words Are Not the Answer to Her Clothes
Before Accepting the Verdict: The Columns Behind Mamoru Oshii's Uragiri Gomen!
Yuji Horii's Komiya in the Interrogation Room: AI Went into the Workshop, Not the Interrogation Room
How Is Huffman Island's War Read Abroad? Front Mission and the Soldiers of VOTOMS
SF's Way Home: Project Hail Mary and Nolan's The Odyssey
Chiikawa’s Autumn Pause, and Where the Boom Continues
The Testimony Crossed First — The Sixteen Months It Took Japanese Avant-Garde Pioneers to Reach Japan
Two Names, Side by Side — How Kyoto's 40-Year Manga Show Arranged the Children Who Came Back
He Stepped Out of the Frame and Left the Camera Behind — Shinya Tsukamoto's Mr. Nelson, Did You Kill People?
You Cannot Break a Torii — The Japan in Denshattack! Is Made of Checking